Those Who Leave and Those Who Stay
Elena Ferrante, Ann Goldstein
My 10 highlights
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At some point, my father-in-law warmly praised an essay, published in Mondo Operaio, that in his view laid out the problem of democracy in Italy with crystalline intelligence. Drawing on a large number of facts, the piece demonstrated that, as long as the state television, the big papers, the schools, the universities, the judiciary worked day after day to solidify the dominant ideology, the electoral system would in fact be rigged, and the workers’ parties would never have enough votes to govern.
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And no one knew better than I did what it meant to make your own head masculine so that it would be accepted by the culture of men; I had done it, I was doing it.
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And a moment afterward appeared a big man I had trouble recognizing, everything about him was enormous: he was tall, with big feet, long large powerful legs, his stomach and chest and shoulders inflated by some heavy, compact material; he had a large head with a broad forehead, his long brown hair was combed back, his beard was coal-black. It was Marcello: Elisa confirmed it by offering her lips as if to a god to whom one owes respect and gratitude.
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I simply listened, overwhelmed. With her, there was no way to feel that things were settled; every fixed point of our relationship sooner or later turned out to be provisional; something shifted in her head that unbalanced her and unbalanced me
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We went on like that until I decided that, rather than taking her rage in doses, it would be better to have it all at once, one grand fury: “Ma,” I said, “not only are we not having a party but I’m not even getting married in church, I’m getting married at city hall.” At that point it was as if doors and windows had been blown open by a strong wind.
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Lila noticed how easy it was to distinguish the faces of the students from those of the workers, the fluency of the leaders from the stuttering of the followers. And she quickly became irritated. The students made speeches that seemed to her hypocritical; they had a modest manner that clashed with their pedantic phrases. The refrain, besides, was always the same: We’re here to learn from you, meaning from the workers, but in reality they were showing off ideas that were almost too obvious about capital, about exploitation, about the betrayal of social democracy, about the modalities of the class struggle.
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Only in the elevator did I realize that my entire self had in a sense slid backward. What would have seemed to me acceptable in Milan or Florence—a woman’s freedom to dispose of her own body and her own desires, living with someone outside of marriage—there in the neighborhood seemed inconceivable: at stake was my sister’s future, I couldn’t control myself.
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Once we saw Fernando, Lila’s father: bent and very aged, he was standing in front of the elementary school, and Lila became agitated, she told Gennaro that she wanted him to meet his grandfather. I tried to restrain her, but she wanted to go anyway, and Fernando, behaving as if his daughter weren’t present, looked at his grandson for a few seconds and said plainly,
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Then the doorbell rang, I went to open the door, and to my surprise Pasquale and Nadia entered. They carried large military knapsacks; he wore a cap over a thick mass of curly hair that fell into an equally thick and curly beard, while she looked thin and tired, her eyes enormous, like a frightened child who is pretending not to be afraid.
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With difficulty I reached the point of asking myself: had she and I ever touched each other? Had I ever wished to, as a child, as a girl, as an adult? And her? I hovered on the edge of those questions for a long time. I answered slowly: I don’t know, I don’t want to know. And then I admitted that there had been a kind of admiration for her body, maybe that, yes, but I ruled out anything ever happening between us. Too much fear, if we had been seen we would have been beaten to death.